Works for Large Ensemble
7.5', for chamber orchestra (2 oboes, 2 horns, strings)
Scored for a somewhat unusual ensemble (see above), Denali Variations is the result of a call for scores by Stephen Lias, who has made a career as a wilderness composer, seeking out Artist-in-Residence programs across the country in national parks and preserves (often the first composer to hold such positions), in addition to teaching at Stephen F. Austin State University in Texas. I had the wonderful opportunity to spend time with Steve over the course of two weeks in the Summer of 2013 as part of the second annual Composing in the Wilderness seminar. CitW is a unique program that draws composers from across the globe to spend time in Denali National Park and Yukon-Charley Rivers National Preserve and write pieces based on their experiences, which are then premiered by members of the Fairbanks Summer Arts Festival faculty. It's an intense but incredibly profound two-week experience, and one that has now been the inspiration for three of my works: The Singing Wilderness (written in Denali and Yukon-Charley), Carrying Fire through Midnight Snow (written on returning to Houston), and Denali Variations.
The work is a theme and variations, divided into five continuous sections: the primary theme, entitled The Distant Mountain, represents the overarching effect Denali has on visitors to the park; it's not always visible, but it is the raison d'être and unifying power of the wilderness that surrounds it. Each of the subsequent three variations depicts a prominent feature of Denali: Teklanika, a tributary that flows through the park; Alpine forget-me-not, the beautiful state flower which grows in Denali's harsh climate; and Dall Sheep, which bound through the hostile terrain. The final variation, Denali, brings us face to face with the mountain itself.
Denali Variations was premiered by the Fairbanks Summer Festival Orchestra, under the direction of Daniel Wiley, in a concert in Denali National Park in the Summer of 2014, a performance from which the above clip is excerpted. A video of the premiere performance can be found on the Look / Listen Page.
10', for full orchestra (2 fl., 2 ob. [doubling eh.], 2 cl., 2 bn., 4 hn., 2 tpt., 2 tbn., 1 tba., timp., 4 perc., harp, piano, strings)
Mantras is a work for full orchestra in four short movements, each one based on a short musical motive. As the name implies, each of these motives (or mantras) is repeated throughout the movement; each, too, has a deep significance to the composer.
I. Modal | II. Name | III. Takk | IV. Howth
Cantico delle Creature
32', for SSATBB choir, soprano solo, woodwind quintet, and organ
Cantico delle Creature is a seven-movement work for mixed chamber ensemble written around a text by St. Francis of Assisi. The work functions in a large arc, with movements for the complete ensemble (I, VII), solo soprano and organ (II, VI), works for choir a cappella (III, V) and a movement for soprano and woodwind quintet (IV). It was written in Arezzo, Italy, during the Fall of 2011 and was premiered by Vox Cordis and an ensemble of musicians from Furman University a la Chiesa di San Bernardo, Arezzo, during that time.